Page 5 - Contrast1981Springv24

~ELUDE

~ ORDER m IMITATE LIFE MORE REAlISnCALLY,

TWENT~E~ (E"NTVRY COMPOSERS HAVE ALLOWE"D DISSONANCE"

TO DOMINATE "THEIR WORK. ~STLES5NE~ ANb AC.T1VIT)'

OEF"INE' "THE IMPOTENCE' e>F CON 5Th NCY. /,HE: c.ONnNUAL

SOUNDIN& OF A SINGLE NOn: OR CHORI) f(ELAT£S

urns MEANING, JUST AS A CANVAS GRAeFD W In-I A' GUT

ONE COLOR 5~EMS TO BE' WITHOUT PURPosE. (/NLY'

BY K>ElAnN& TONE'S OR COLORS 1l> ONE ANOIl-\E:R

DOE'S AN EXPRC-5SION GAI~ DEPTli.

~E INDIVIDUAL'5 SHARING A C.OLLEGE CAMPUS

ARE NECESSARilY A DIVERSE Gk.'OUP, YET THROUGH

111 IS UNIQUE"N~5S, A SINGLE ESSENC.E PREDOMINAT£S.

(jNLY BY PgES£NTlNC:, A VARIETY OF A ens'nc

EXPReSSIDNS CAN A COM PLE,( 1="EELIN(; BE CLA RIF='"/ED.

CONTRASr REPRESENTS THE MANY INDIVIDUALS

THAr C.OMPR'J~ THE ESSENC.E OF W£STEI<N MARYLAND

C.OLL£"6E". /( ,A},UN ITY 15 m BE r=OUND IN OUk'

DIVERSITY. UV1< DISSONANC.E ENHANCES THE

ORDINARY ; OU~ c..ONTRAST DE1=-INES.

CALLIGRAPHY vf{,;tVBY ~NBAU('H

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